The underground music world is buzzing from a recent mass casualties event in which many musicians have had songs delisted by Spotify because of an algorithm designed to remove songs that have been boosted by artificial plays via bots and fake plays. I won’t get into all the issues that one might have with a […]

Below is Metacritic’s list of outlets that it uses for Metacritic ratings circa 2019, which has been annotated to mark outlets that have either officially or unofficially become defunct (meaning they at best only produce a handful of reviews every year). I think its accepted that the original list was created to include mostly larger […]

I want to reconfigure public attitudes towards artists who write outside of the industry and proposed the term “pro bono musician” the other day but I think the concept deserves some more thought and I’m proposing that we have a genre term which I will call Public Service Musician. By Public Service Musician, I refer […]

Consequence of Sound has a useful Album Release calendar that they put together, which gives people a heads up as to what releases are coming up and when.  Their release calendar can be found HERE.  If you’re a music journalist, it’s useful, because it allows you to plan ahead in terms of knowing what releases to […]

I was talking with a friend about songwriting credits the other day, probably an outgrowth of the Lizzo trademark controversy, and have been thinking about the term “singer-songwriter” – a phrase that I in fact use for myself. It’s funny because I think in actual usage, the image that comes to mind is a person […]

As I’ve used it before, the phenomenon of monetization of word of mouth refers to the practice whereby Facebook and other social media downgrade artistic media posts, forcing the artist to pay for advertisement in order get exposure for their work. The name “monetization of word of mouth” refers to the fact that Facebook literally […]

I would say I’m more spiritual than religious about socialism. But I was thinking the other day about how many socialist goals are difficult to align directly with things that musicians, and in particular singer-songwriters, want at first glance. For instance the concept of a union doesn’t obviously apply to singer-songwriters who work a bunch […]

The question I initially asked was whether St. Lenox had any competition in terms of critically acclaimed male Asian-American indie music acts in the United States. Hypothetically not a difficult task, since the indie category is so freakin broad as to render it not really a genre. In this case, the requirements are (1) Asian-American […]

I had an idea for playing shows, though it would take some time to carry out. The songs available at karaoke are a vast wilderness of perfectly good instrumentals with great chord progressions ready for songwriting. Given this, it is not difficult to write a new song with new lyrics based off of a karaoke […]

Should musicians play a Sofar event? The answer is that they should, if it is rational from an opportunity cost standpoint. For most musicians the answer to that question is probably yes, independent of whatever investment monies Sofar happens to secure. [Note: Investment is neither revenue nor profit]. If your average Sofar musician were to […]