Author Archives: eponymous

February 09

DIY, à la Fin de Siècle

The term fin du siècle (or “end of the century”) is, of course, an exaggeration because we are not at the end of the century at all. Nevertheless, it does feel like the end of a DIY era – though, as I will explain at the end of this essay, I would never say that […]

December 21

Towards an Asian-American Music

When I say “towards an Asian-American Music”, you may get the impression that I’m talking about a creative endeavor to create a new musical style or genre that is related in content-specific ways to Asian-American culture or history. That’s a natural reaction given American societal conceptions of music, I suppose. But there’s reason to suspect […]

December 03

Unreliable Narration in Songwriting

There is a song that I released a few days with a reference to a Highway 80 in Kansas.  The lyric references the experience of trying to drive home over the holidays in a flashback of sorts, with the protagonist trying to make it home in time to enjoy Christmas with his parents.  Except, there […]

November 25

The Academic Standard for Publication of Music

In academia, the minimum standard for publishing work is two-fold. An article must say something novel, and it must say something substantial. In other words, you have to say something new and that new thing had to be important enough to publish. The standard, which we will call “the academic standard” works as a kind […]

October 09

Year of Migration Lecture – The Return Home

I was invited to give a lecture about my music videos at the University of Kentucky by the department of Musicology and Ethnomusicology, as part of the Year of Migration series.  Below are the notes from that lecture, entitled “The Return Home”. ///**// The Return Home: First of all, thank you for giving me the […]

September 11

Proposal: The Expenditures Limit on Indie

I was talking with a few PR people of some repute a few months ago, and I remarked that the cost of getting any attention in the indie music scene was so cost prohibitive, that it effectively cut out even the upper-middle class from being represented in indie music.  The effect of this is that […]

August 09

Perfect Strangers Interview – St. Lenox: Indie Music’s Renaissance Man

Photo Courtesy of An Rong Xu.  Print Version of the Article can be obtained at: https://perfectstrangersmag.com/   St. Lenox is the singer-songwriter alter ego of Andrew Choi, who also happens to be an attorney in commercial litigation; the holder of a doctoral degree in philosophy (with a focus on Kantian ethics); and a former concert violinist […]