I had an idea for playing shows, though it would take some time to carry out. The songs available at karaoke are a vast wilderness of perfectly good instrumentals with great chord progressions ready for songwriting. Given this, it is not difficult to write a new song with new lyrics based off of a karaoke […]

Should musicians play a Sofar event? The answer is that they should, if it is rational from an opportunity cost standpoint. For most musicians the answer to that question is probably yes, independent of whatever investment monies Sofar happens to secure. [Note: Investment is neither revenue nor profit]. If your average Sofar musician were to […]

Album Of the Year is a site that tabulates numbers for records that have been reviewed by a limited set of outlets, much like Metacritic, except they appear not to use a special weighting rubric to adjust the ratings of various outlets (or at least they initially did not) and moreover limit their outlet selection […]

There’s an ongoing push in some music circles to declare that the album is either dead or irrelevant, given the preference in consumers to absorb music by individual tracks versus by albums.  The argument, at least as its been trotted out lately, has been something to the effect of, “well, if the consumer absorbs music […]

The method for doing business as an independent musician has been shifting quite a bit over the past few years.  I’ve been trying very hard to diagnose the problem, and how to figure out a solution for it, but it’s a very complicated issue.  I think I’ve figured out one of the sources of problems, […]

The term fin du siècle (or “end of the century”) is, of course, an exaggeration because we are not at the end of the century at all. Nevertheless, it does feel like the end of a DIY era – though, as I will explain at the end of this essay, I would never say that […]

When I say “towards an Asian-American Music”, you may get the impression that I’m talking about a creative endeavor to create a new musical style or genre that is related in content-specific ways to Asian-American culture or history. That’s a natural reaction given American societal conceptions of music, I suppose. But there’s reason to suspect […]