Author Archives: eponymous

May 23

It is Rational to Play Sofar; It is Irrational to Attend Sofar

Should musicians play a Sofar event? The answer is that they should, if it is rational from an opportunity cost standpoint. For most musicians the answer to that question is probably yes, independent of whatever investment monies Sofar happens to secure. [Note: Investment is neither revenue nor profit]. If your average Sofar musician were to […]

May 17

An Empirical Indicator of the Tightening in Music Coverage?

Album Of the Year is a site that tabulates numbers for records that have been reviewed by a limited set of outlets, much like Metacritic, except they appear not to use a special weighting rubric to adjust the ratings of various outlets (or at least they initially did not) and moreover limit their outlet selection […]

May 11

Economics, Algorithms and Singlehood

There’s an ongoing push in some music circles to declare that the album is either dead or irrelevant, given the preference in consumers to absorb music by individual tracks versus by albums.  The argument, at least as its been trotted out lately, has been something to the effect of, “well, if the consumer absorbs music […]

April 29

Monetization of Word of Mouth

The method for doing business as an independent musician has been shifting quite a bit over the past few years.  I’ve been trying very hard to diagnose the problem, and how to figure out a solution for it, but it’s a very complicated issue.  I think I’ve figured out one of the sources of problems, […]

February 09

DIY, à la Fin de Siècle

The term fin du siècle (or “end of the century”) is, of course, an exaggeration because we are not at the end of the century at all. Nevertheless, it does feel like the end of a DIY era – though, as I will explain at the end of this essay, I would never say that […]

December 21

Towards an Asian-American Music

When I say “towards an Asian-American Music”, you may get the impression that I’m talking about a creative endeavor to create a new musical style or genre that is related in content-specific ways to Asian-American culture or history. That’s a natural reaction given American societal conceptions of music, I suppose. But there’s reason to suspect […]

December 03

Unreliable Narration in Songwriting

There is a song that I released a few days with a reference to a Highway 80 in Kansas.  The lyric references the experience of trying to drive home over the holidays in a flashback of sorts, with the protagonist trying to make it home in time to enjoy Christmas with his parents.  Except, there […]